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Book Review: Library of Souls by Ransom Riggs (2/5)

11 Apr

I know many of my readers follow my WWW posts and if you do, you’ll know how long I’ve been reading this book. I started it in December as a car-trip read with my husband. We took only a few long car trips since then and pecked away at the 15 hour recording. Our last one was 8 hours in on day two weeks ago and at the end of that, we had 1.5 hours left and decided to finish it up on our own. I’ll summarize my feelings by saying I’m so glad it’s over.

Cover image via Goodreads

Library of Souls (Miss Peregrine’s Peculiar Children #3) by Ransom Riggs

Other books by Ransom Riggs reviewed on this blog:

Miss Peregrine’s Home for Peculiar Children (Miss Peregrine’s Peculiar Children #1) 3/5
Hollow City (Miss Peregrine’s Peculiar Children #2) 2/5

Summary from Goodreads:

As the story opens, sixteen-year-old Jacob discovers a powerful new ability, and soon he’s diving through history to rescue his peculiar companions from a heavily guarded fortress. Accompanying Jacob on his journey are Emma Bloom, a girl with fire at her fingertips, and Addison MacHenry, a dog with a nose for sniffing out lost children.

They’ll travel from modern-day London to the labyrinthine alleys of Devil’s Acre, the most wretched slum in all of Victorian England. It’s a place where the fate of peculiar children everywhere will be decided once and for all.

All of the things I disliked about the second book just continued into this one. Besides the ymbrynes, none of the adults in this book are even respectable, especially Jacob’s parents. The love story between Jacob and Emma is completely superficial and forced. There are inconsistencies in the book just to work in the pictures Riggs loves so much. Things happen so conveniently that it’s very obvious these books were not well planned and Riggs is making up ways for things to work out. Jacob and Emma are constantly yelling before they even think about what they’re saying. My two stars are for Riggs’s creativity but this book really failed me.

Jacobs and Emma reacted like hormonal teenagers so in that respect, I’d say they were believable. In the sense that they didn’t really sleep for two weeks, it was completely unbelievable. Jacob recognizes in himself that he’s changed and fights between his need to be his past and present self, which is a very realistic outcome of his journey, but very introspective for a teenage boy. He acted like he was much older than a teenager and it really bothered me.

Sharon was one of my favorite characters and really redeemed the book for me. I’m still not sure why he helped Jacob, Emily, and Addison (another inconsistency and character flaw) but he was a redeemable character with flaws and advantages to him. I found it believable that he had been an Ambro addict and was in debt to Bentham for helping him recover. I found it believable that his family was gallows builders and I understood why he helped in the end. He was a great image in my head and I’m really glad he was involved.

The characters situation was unrelatable to me. Jacob kept discovering things about himself like a person going through puberty, but other than that, his experiences were extreme and I didn’t find his reactions to anything relatable. Many times, my husband and I would pause the audio and say, “Why don’t they just …?” and point out a much easier way to solve the current problem. I couldn’t sympathize with someone I thought made dumb decisions.

Image via Wikipedia

Exploring Devil’s Acre was one of the few parts I really enjoyed. Riggs’s imagination was in full force and he set up a great dark Victorian London that was reminiscent of Sweeney Todd and just great. Too much time was spent in some aspects, like the Peculiars for sale, but other parts, like Smoking Street, were great.

The ending felt so contrived. I was so upset with it. I wanted Jacob to suffer more, I really did. He had so many close calls that ended up working out for him that seeing him really suffer and fail would have felt good as a reader. I won’t say it now, but the way it played out was too happy for the set-up we’d had. I was very put out.

Kirby Heyborne narrated this final installment like he did the first two. There were a few times I was upset with his choices to have the characters scream or whine when the dialogue tags didn’t call for it. I find his British accent grating and for a book set in London, this can be a real issue. He does build tension well, which is important in a book like this, but I think his slow narrating style is part of what stretched this out to 15 hours.

I felt luck played too much of a role in Jacob’s success for there to be a strong lesson in this book. Just at the moment when something bad would happen to him, another character showed up or someone was distracted or he was protected from anything bad happening. I guess the lesson would have to be to have friends who can see into the future and who make loud entrances and have impeccable timing.

Writer’s Takeaway: I think the visual aspect of a book is very important. However, it feels like Riggs sacrificed plot and character development to give us a visual book. We don’t have dynamic characters besides Jacob, who doesn’t change much anyway. But we do have multiple characters who have great images and styles. We have a meandering plot with a lot of asides that add nothing to the main plot. But the setting for each can be shown in an antique picture. The visual elements of a book should enhance it, not be the only driving force behind it.

I’m honestly glad this series is over. I won’t feel obligated to listen to another one. Two out of Five stars.

This book fulfills the 1800-1899 time period for the When Are You Reading? Challenge.

Until next time, write on.

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